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LinkedIn Adobe Illustrator Certification Exam Answers

Creating an introduction to LinkedIn using Adobe Illustrator can be a great way to make a professional and visually appealing profile. Here’s a basic guide to get you started:

  1. Setting Up Your Document:
    • Open Adobe Illustrator and create a new document.
    • Choose the appropriate size for your LinkedIn introduction. A common size for LinkedIn headers is 1584 pixels wide by 396 pixels tall.
  2. Background:
    • Start by creating a background for your introduction. You can use solid colors, gradients, or even import an image.
    • Use the Rectangle Tool (M) to draw a rectangle covering the entire artboard.
    • Apply the desired color or gradient using the Color panel or Gradient panel.
  3. Text:
    • Add your name and headline. Choose a font that reflects your professional identity. Sans-serif fonts like Arial or Helvetica are commonly used for LinkedIn profiles.
    • Use the Type Tool (T) to create text boxes for your name and headline. Adjust the font size, color, and alignment as needed.
    • Consider adding keywords related to your skills or industry in your headline for better visibility in searches.
  4. Profile Picture:
    • Import your profile picture using File > Place or simply drag and drop it into Illustrator.
    • Use the Ellipse Tool (L) to draw a circle for your profile picture. Place it in an appropriate position on the introduction.
    • Resize and position your profile picture accordingly.
  5. Icons and Graphics:
    • Consider adding icons or graphics that represent your skills, interests, or industry.
    • You can create your own icons using Illustrator’s shape tools, or you can use pre-made icons from online resources like Flaticon or Adobe Stock.
    • Arrange the icons around your name or headline to add visual interest.
  6. Contact Information:
    • Include your contact information such as your email address or LinkedIn URL.
    • You can create a text box for this information and place it below your name or headline.
    • Make sure the text is legible and easy to read.
  7. Finishing Touches:
    • Review your design and make any necessary adjustments to ensure everything looks cohesive and professional.
    • Check for spelling and grammar errors.
    • Save your work in a format suitable for web use, such as JPEG or PNG.
  8. Uploading to LinkedIn:
    • Once you’re satisfied with your design, save it to your computer.
    • Log in to your LinkedIn account and navigate to your profile.
    • Click on “Edit public profile & URL” and then “Edit your public profile”.
    • Click on the pencil icon next to the introduction section and upload your designed image.
    • Make sure to adjust the positioning and size of your introduction image as needed.

By following these steps, you can create a visually appealing introduction to LinkedIn using Adobe Illustrator that effectively showcases your professional identity and skills.

LinkedIn Adobe Illustrator Exam Quiz Answers

  • The fill color would be converted to CMYK values
  • The fill color would be unchanged.
  • Illustrator would display an error because you can’t paste an object with RGB colors into a CMYK file.
  • The fill color would remain RGB but its appearance would change.
  • Select the Screen blending mode before you brush.
  • Select the circle and click the Draw Inside button on the toolbar before you brush.
  • Add a fixed spacing value in the Scatter Brush options.
  • Select the brush stroke and the circle and make a compound path.
  • to preserve vector copies of objects you plan to rasterize
  • to save copies of selected objects in a new file
  • to preserve a selection of objects you may use again
  • to save selected objects in a Creative Cloud library
  • clicking or dragging the first point in the path
  • choosing Object > Path > Join
  • pressing Return (Mac) or Enter (Windows)
  • switching to a different tool
  • 3D Extrude & Bevel
  • Offset Path
  • 3D Rotate
  • 3D Revolve
  • Hold down the Option (Mac) or Alt (Windows) key and click the object you want to deselect.
  • Use the Lasso tool to deselect the unwanted object.
  • Shift-click the object you want to deselect
  • Press Command+Shift+A (Mac) or Ctrl+Shift+A (Windows) and click the object you want to deselect.
  • Recolor Artwork
  • Select > Same > Appearance
  • Edit Colors
  • Live Paint
  • Select Object > Path > Reverse Path Direction.
  • Select Effect > 3D > Rotate.
  • Use the Flip Horizontal and Flip Vertical commands in the Transform panel menu.
  • Drag the path with the Reshape tool.
  • Remove it.
  • Cut the path at the anchor point.
  • Convert it to a corner point.
  • Convert it to a smooth point.
  • when you want to cut an object at existing anchor points
  • when you want to cut an object into equal pieces
  • when you want to crop an embedded or linked image
  • when you want to quickly divide an object by drawing closed, freehand paths
  • Select everything in the document and then apply the Convert to Grayscale command.
  • Apply the Convert to Grayscale command and change the Document Color Mode to CMYK.
  • Use the Recolor Artwork command and select the 1-Color Job preset.
  • Delete all the color swatches from the Swatches panel except for Black and White.
  • Switch to any other workspace, and then switch back to Essentials.
  • Quit Illustrator, press and hold Command+Shift+Option (Mac) or Ctrl+Shift+Alt (Windows), and relaunch Illustrator.
  • Choose Reset Essentials from the Workspace menu or the workspace switcher.
  • Quit and relaunch Illustrator.
  • Variables
  • Recolor Artwork
  • Live Paint
  • Proof Colors
  • Specify a key object, then use the Horizontal Distribute Space command in the Align panel with a Spacing value of 0
  • Turn on Smart Guides and drag each object until it snaps to the one next to it.
  • Choose the Move command and in the dialog, box set the Distance value to 0.
  • Select the objects with the Selection tool, then drag from the side of the selection bounding box until the objects snap together.
  • Adobe Color Themes
  • Color Guide
  • Color Groups
  • Recolor Artwork
  • to create responsive web graphics that can resize with no loss of quality
  • to ensure graphics use only web-safe colors
  • to have Illustrator automatically choose the right export file format based on the contents of the graphic
  • to create sharp web graphics with no anti-aliasing of straight lines
  • The color mode of the fill is set to Grayscale.
  • The Luminosity blend mode is applied to the fill.
  • One of the Color Blindness options is chosen under Proof Setup in the View menu.
  • Overprint Preview is turned on in the Separations Preview panel.
  • Turn off Hyphenate Capitalized Words in the Paragraph panel.
  • Select Justify All Lines in the Paragraph panel.
  • Decrease the Word Spacing in the justification options.
  • Increase the Hyphenation Zone value in the Paragraph panel so it is greater than the point size of the text.
  • In the Control panel, click the button to start editing similar shapes, then select Object > Path > Simplify.
  • In the Properties panel, click Start Global Edit and then use the Transform controls to reduce the Polygon Side Count to 3.
  • In the Properties panel, click Expand Shape. Then click Start Global Edit and use the Transform controls to reduce the Polygon Side Count to 3.
  • In the Control panel, click the button to start editing similar shapes, then select Object > Transform > Transform Each.
  • the Smooth tools
  • the Shape Builder tools
  • the Pencil tools
  • the Shaper tools
  • Select Small Gaps.
  • Select Close Gaps with Paths.
  • Select Large Gaps.
  • Turn off Gap Detection.
  • Select Show Pattern Brushes from the Brushes panel menu.
  • Select Persistent from the library’s panel menu.
  • Open the library and save a custom workspace.
  • Select all the brushes in the Pattern Arrows brush library and choose Add to Brushes from the library’s panel menu.
  • The paths do not have a fill attribute.
  • Only one of the paths is selected, but both need to be selected.
  • One of the paths is selected but the Join tool works only with unselected paths.
  • Endpoints need to be selected in both paths before they can be trimmed and joined.
  • None
  • Tints
  • Tints and Shades
  • Hue Shift
  • An Inner Radius of a Star cannot be modified and would have to be redrawn.
  • Use the Scale tool while holding down Option+Shift (Mac) or Alt+Shift (Windows).
  • Select the inner points, then use the Scale tool to uniformly change the radius.
  • Double-click the Star tool and change the Inner Radius option.
  • The Alana fonts are deactivated.
  • The Alana fonts are for web-only use.
  • The Alana fonts are currently being activated.
  • Not all the fonts in the Alana family are activated.
  • Make Pattern
  • Make Live Paint Group
  • Make Compound Path
  • Make Clipping Mask
  • Select instances with the Group Selection tool and then choose the desired graphic style.
  • Symbol instances in a symbol set cannot be overridden.
  • Select instances with the Direct Selection tool and then choose the desired graphic style.
  • With the Symbol Styler tool, select a graphic style and paint the style onto symbol instances.
  • Any control handles are removed, converting the point into a corner point.
  • The path is split at that point.
  • The point is deleted.
  • The point is selected.
  • when you want to create simpler meshes so the performance of Illustrator is not negatively affected
  • when you want to place a highlight at the edge of the object
  • when you want to create mesh lines at equally spaced intervals within the object
  • when you want to create mesh lines at one or more specific locations within the object
  • It has been converted to outlines.
  • It is live text.
  • It is a compound path.
  • It has a fill color of black.
  • In the Graph Type dialog, choose Category Axis and set the Tick Marks option to Full Width.
  • In the Graph Type dialog, under Graph Options, set the cluster width to 100 in the Options section.
  • In the first row of data, type 100% in each cell corresponding to the category columns.
  • Select the columns with the Direct Selection tool and use the Scale tool to modify the width.
  • With nothing selected, click the More Tools button in the Properties panel.
  • Click the ellipsis at the bottom of the toolbar.
  • Turn on the tool in the preferences.
  • In the Window menu, click Window > Tools.
  • Open the Art Brush Options dialog box and select Scale Proportionally.
  • Expand the appearance of the distorted flowers and drag the flowers with the Selection tool.
  • Use the Pen tool to add points at the top and bottom of the stem, and then drag the points with the Direct Selection tool to remove the distortion.
  • Open the Art Brush Options dialog box, select Stretch Between Guides, and then place the guides so only the stem is between them.
  • Absolute Colorimetric
  • Perceptual
  • Saturation
  • Relative Colorimetric
  • It allows you to work faster because modifying a larger mesh requires fewer calculations.
  • It allows you to modify disjointed objects together
  • It allows you to make greater modifications to an object.
  • It allows you to see the mesh more clearly.
  • Corners
  • Noise
  • Paths
  • Colors
  • CSS Properties
  • Attributes
  • Links
  • SVG Interactivity
  • to reduce the number of points that must be represented in the code
  • to remove invisible points and lines
  • to reduce the output resolution so it’s appropriate for web graphics
  • to combine redundant objects
  • Select the circle and turn on Overprint Fill in the Attributes panel.
  • Select the circle and apply the Multiply blending mode.
  • Fill the circle with a rich black color made up of all four process inks.
  • Use the Appearance panel to add a second black fill.
  • Placement Options
  • Edit Original
  • Update Link
  • Relink
  • set the Export Type to Movie Clip
  • delete the symbol and expand all instances
  • convert the symbol to a static symbol
  • break the link to the symbol
  • Use File Info to leave instructions for your print service provider.
  • Duplicate the petals to a new layer called “Varnish.”
  • Make sure that the magenta color is from a spot color swatch.
  • Create copies of the petals on top of the original artwork and fill the petals with a new spot color swatch set to overprint.
  • Select Size Tile to Art in the Pattern Options dialog box.
  • Increase the number of copies of the flower used to make the pattern.
  • Reduce the width and height in the Pattern Options dialog box.
  • Use the Overlap buttons in the Pattern Options dialog box.
  • to prevent Illustrator from printing marks showing the borders of artboards
  • to print all artboards on one piece of paper
  • to prevent Illustrator from printing the names of artboards
  • to scale each artboard to the media size
  • Use the Global Edit command.
  • Use the Transform Again command.
  • Use the Transform Each command.
  • Use the Actions panel to record and play back the sequence of steps.
  • to allow portions of the symbol to be exported as separate graphics
  • to ensure that each instance of the symbol always maintains its original proportions when scaled
  • to include custom guides with the symbol so each instance is placed in the same position relative to the artboard
  • to allow instances of the symbol to be scaled without distorting the corners
  • Click the Edit Symbol button in the Control panel or Properties panel.
  • Edit the symbol instance name.
  • Double-click the instance with the Type tool.
  • Click the Break Link button in the Control panel or Properties panel.
  • Drag the object into the Asset Export panel.
  • Select the object and choose Generate CSS from the CSS Properties panel.
  • Select the object and choose Copy Selected Style from the CSS Properties panel.
  • Give the object a name in the Layers panel.
  • Enable Perspective Warp.
  • Enable Viewing Angle in the Define Grid dialog box.
  • Choose View > Perspective Grid > Lock Station Point
  • Enable 3D Transform.
  • The onscreen appearance stays the same, but the color values in the image will change.
  • The onscreen appearance may change, but the color values in the image stay the same.
  • Neither the onscreen appearance nor the color values in the image will change. Only the metadata in File Info changes.
  • Both the onscreen appearance and the color values in the image will change
  • Levels
  • Shadows/Highlights
  • Curves
  • Hue/Saturation
  • Selection tool
  • Paint tool
  • Direct Selection Tool
  • Anchor Adjustment Tool
  • Raster
  • Encryption
  • Extrapolation
  • Vector
  • Line
  • Gamma Line
  • Path
  • Point Successor
  • Indentation
  • Leading
  • Hyphenation
  • Format
  • scissors tool
  • knife tool
  • bisect tool
  • transform tool
  • stroke and shadow
  • fill and stroke
  • history and undo
  • texture and gamma
  • Bezier Curve
  • Venus Curve
  • Curved vector solution
  • Razerian Curve
  • artwork printing is controlled
  • artwork outlines are easily seen
  • artwork sections can be hidden
  • artwork is protected from change
  • combines grouped objects
  • finds a path for type
  • finds a path for stroke size
  • finds a path for rasterization
  • For approximately 15 seconds
  • Until the computer is offline
  • Until the software is shut down
  • Until another tool is selected
  • Pages
  • Canvas
  • Cardboard
  • Artboard
  • 1
  • 2
  • 3
  • 4
  • A
  • V
  • S
  • T
  • Round Join
  • Projecting Cap
  • Round Cap
  • Align Stroke to Outside
  • Scale
  • Viewing Distance
  • Viewing Angle
  • Gridling every
  • Select Select All and then Save Selection.
  • Use the Save as Template command.
  • Use the Package command.
  • Select Select All and then click the Add Content button in the libraries panel.
  • Make a clipping mask with the layer selected.
  • Drag the layer to the bottom of the Layers panel.
  • Turn off the Print option for the layer.
  • Lock the layer.
  • Black strokes may appear thinner than expected.
  • Blank areas may be visible at the edges of the print.
  • Areas of 100% black may print lighter than expected.
  • Blank areas may be visible where two inks are printed adjacent to each other.
  • the Document Setup dialog box
  • the Document Info panel
  • the Attributes panel
  • the File Info dialog box
  • Appearance of Black
  • Document Setup
  • Document Raster Effects Settings
  • Overprint Black
  • Preserve Paths
  • Create PDF Compatible File
  • Include Linked Files
  • Use Compression
  • You can print and export individual objects by isolating them first.
  • All non-isolated objects cannot be selected or edited.
  • You cannot isolate more than one object at a time.
  • You can Shift-click non-isolated objects to make them editable.
  • Give the swatch a custom name.
  • Click Global in the Swatch Options dialog box.
  • Place the swatch in a color group.
  • Add the swatch to a Creative Cloud library.
  • The stroke has been outlined.
  • The stroke has a corner type of Bevel Join.
  • The star is an open path with two overlapping points at the top.
  • The Limit value in the Stroke panel is less than the stroke width.

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